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Dream Diary: Zombie Fight

March 26, 2013 at 12:35 AM

A father and son run over very elaborate rock formations in a stream. The father is ahead of the son, played by me. We are escaping some danger, and are panicking. Dad is panting but not stopping. I shout, “Isn’t this exactly when we should be careful?! Shouldn’t we be slowing down and watching for trouble?!” (The dream is very restrained and doesn’t have zombies attack us at this moment.)

The river finally runs beside on what looks like the remnants of an amusement park, but there is something British about it. There’s a ferris wheel and roller coaster further in, and here near the stream there’s a croquet field and a volleyball net on well-kept grass.
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Dream Diary: Cause of Death

March 21, 2013 at 12:35 AM

I had this dream a couple years ago. It wasn’t dated in my diary.

A remote orbital station above some forbidding planet. Cut to an interior: a huge, empty, hangar-like room, like a cargo area. Huge picture windows look down at the planet. A single turbolift door in one part of the room.

Familiar blue chyron titles in one corner of the view: “Cause of Death.”

An ensign, unsure, hesitantly exits the turbolift. He looks around the well-lit, empty space. Mounted in a corner of the ceiling, a viewscreen. It turns on, showing an alien wearing a Starfleet uniform. A superior officer.

“Ensign. This is the room where it keeps happening.”

The room isn’t completely empty though: a podium-like wooden pedestal stands next to a long jewelry-display-case like object, large enough to hold one person inside. On the podium on some kind of holder, sticking straight up, is a syringe with the needle pointing into the air. It is full of something. A little bit lower on the podium is a severed alien hand, complete with frayed Starfleet uniform cuff still at the wrist.

“The creature came up with one of our early shuttle runs, that much is certain. Everything else we know about it: it is completely invisible, soundless, undetectable via any means we have. We have reason to believe it’s susceptible to the tranquilizer in the syringe.

“We can’t explain why, when it kills, it leaves the left hand.” The hand belongs to the last ensign to enter this room.

“We’ll give you four hours. Good luck.” The screen switches off. The doors shut and lock.

Now I am the unsure ensign. I approach the podium in the deathly-silent room. The floor is carpeted, so I make no sound; not that anyone understands how it hunts. I pull the syringe off the stand and hold it out in front of me like a weapon. I begin to methodically sweep the room.

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PAX East 2013

March 20, 2013 at 8:51 PM

I will be at PAX East 2013 this weekend in Boston, MA. I will once again be posted up in Bandland in the North Lobby, right next to the entrance. I’m excited to announce new Broodhollow goods for the show!! I’ll also have a demo deck of the Machine of Death card game at my booth for you to look at and try a couple rounds!

Here are the panels I’m on for sure!

SATURDAY 3/23 9:00PM – 10:30PM Phoenix Theatre
PAX After Hours with Scott and Kris
Send the kids to bed and ready yourself for a PAX tradition like none other. The late-night programming block once again yields control to hosts Kris Straub and Scott Kurtz (Blamimations, The Scott and Kris Show) for their much-talked-about talk show after hours. Will there be stories from the biz? Celebrity interviews? A musical guest? Someone help us out here, we honestly don’t know and we’re scared.

SUNDAY 3/24 11:30AM – 12:30PM Naga Theatre
Pitch Your Game Idea
You’ve got 45 seconds to deliver your idea to our panel of experts. The top three pitches will be picked for prizes and swag.

PLEASE NOTE: This is an open forum – there’s nothing keeping anyone, judges and attendees alike, from stealing your ideas! If you’re not comfortable with this, please don’t pitch your idea!

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Dream Diary: Learning Institution

March 19, 2013 at 6:28 AM

I had this dream sometime after college. It is notable in my journal because I’m not actually in the dream; I’m just observing it from elsewhere.

The dream begins at what seems like the end of a movie. A college dean wearing a gray suit races around the panicked campus of his university while total pandemonium rages around him. Crowds flee and scream in mass confusion, the ground shakes, brickwork shifts and falls loose from lecture hall facades.

Ornate metal trees made of bronze and silver, the size of oaks, suddenly grow out of the ground in a matter of seconds. Buildings become formless, like amoeba. The dean makes his way to a podium with a microphone to try and calm the crowd. It looks as if a graduation has been interrupted by this hysteria.

Before he can say much, two huge black leather shoes many times bigger than him unearth themselves beneath him — soles up — and the dean is thrown to the ground. The shoes weren’t just shoes, but feet in shoes, clad in dress socks. As ankles and calves rise from the dirt, like a man flung feet-first from reverse quicksand, the hems of a gray pair of pants appear. They are duplicates of his pants, his shoes, his legs.

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Dream Diary: Mall Exercise

March 14, 2013 at 4:37 AM

I’m a soldier participating in a relatively new psychological warfare test that had rapidly become a modern field standard. I’m standing on the ground floor of an empty indoor three-story mall. There are escalators and shop fronts, walkways with glass and metal railings. I can’t tell if it’s day or night, but the mall is reasonably well-lit.

I’m not alone here; there are no shoppers present, but a handful of other soldiers ready themselves, each in their own corner of the mall. I look up at a few of the shops around me, all closed. In a few places, there are large white dropcloths covering large cubic display cases. They sit in the wide aisles of the mall, where one might expect to see one of those booths where they sell cellphone covers and novelty flying toys.

I understand the test with that knowledge that a dream imparts to you. The test would begin and the cloths would drop, revealing what’s in the cases: a 1:1 sized Native American doll, with long, dyed cornsilk hair in a traditional white dress. The dolls would be about four feet tall, propped up on a metal stand; not moving, or even particularly frightening to look at. The entire point of the exercise was the buildup to the exercise.

Despite this knowledge, I know how difficult the test will be. Intellectually, I know that all any of us has to do to pass the test is get to the mall exit. That’s all. I can tell that the other soldiers aren’t afraid, but I honestly am and I’m not sure why. The figures under the glass aren’t alive; they’re just large dolls. They can’t move. They can’t do anything.

A loudspeaker counts down. Once it hits zero, the cloths drop off the glass cases and reveal what I already knew would be there. I make my way past the first doll with some difficulty, and I try to steel myself for the next one around the corner, knowing precisely how the test works but not my reaction to it: the proctors have moved one of the dolls outside of its case, so that it’s actually standing alone down there at the mouth of the long corridor. I now have to walk past it.

The other soldiers move to the exit with no difficulty whatsoever. After all, the dolls aren’t even doing anything. I then realize that this isn’t a test for the others — it’s a test for me. But it doesn’t matter that I understand; it only matters that I cannot complete the test, huddled in the fetal position, at the mouth of the long corridor.

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